In a recent discussion about “The Franchise,” a comedy series from a talented creative team, Lucy Mangan reflects on the work’s struggle to effectively satirize its subject matter due to a shortage of strong jokes.
“It’s an odd reality,” Mangan states, “that to truly satirize something, you need to have a certain affection for it. You need to comprehend both its failures and successes, and recognize why it resonates with some while turning others away.”
She notes the historical context of great satire, mentioning Jonathan Swift and Jane Austen, who used their sharp wit to highlight societal issues through a mix of rage and humor. In more recent times, shows like “Yes, Minister,” “The Thick of It,” and “Veep” have continued that tradition, aiming to expose truths about politics and bureaucracy.
However, Mangan comments that “The Franchise” feels like it has been crafted by weary creatives with less noble intentions. The series follows the production chaos of a low-tier superhero film, featuring characters like the neurotic director Eric, portrayed by Daniel Brühl, and the beleaguered assistant director Dan, played by Himesh Patel, who brings some humanity to an otherwise flat ensemble.
Mangan highlights the absurdity of the scenarios, such as the demands of an executive for a “Stick of Maximum Potency” to address a so-called “woman problem” in the script, calling attention to the disconnect within the creative process.
While the pilot episode failed to evoke any laughter, Mangan does acknowledge a few standout moments, particularly praising Lolly Adefope’s engaging performance as Dag, the third assistant director. Nevertheless, the overall experience feels tiresome, lacking a genuine affection for the craft that should underpin a project like this.
“In the end,” Mangan concludes, “watching ‘The Franchise’ feels oddly akin to enduring a mediocre superhero film: it’s a barrage of noise and chaos, but it ultimately delivers very little.”
“The Franchise” is currently available on Sky Comedy and Now in the UK, as well as Foxtel and Binge in Australia.
