On October 12th, a seminar for Tencent Video’s “Heart Signal 7” was recently held in Beijing, hosted by the Film and Television Arts Committee of the China Television Arts Exchange Association.

As a pioneering work in China’s emotional observation program market, “Heart Signal” is recognized for keeping pace with contemporary society and reflecting the current lifestyle of young people, effectively addressing the emotional needs of today’s society. The seventh season innovatively sets its story in the Greater Bay Area, introducing a “multi-city romance” model that showcases deeper cultural integration and signifies economic development.

Xu Yang, the head of Tencent Video’s Coordinate System Studio and executive producer of “Heart Signal,” shared that the show’s creative principle has always been to respond to the contemporary emotions young people feel about relationships. “This year, we’ve placed the story in the Greater Bay Area, showcasing the lives of young people from different industries and cities involved in ‘light long-distance relationships.’ We’re committed to portraying themes that are relevant and resonate with real-life experiences.”

Zhang Dexiang, vice chairman of the China Literary and Art Critics Association, pointed out that each season of “Heart Signal” aligns closely with the emotional states of contemporary youth, reflecting their views on life, values, and love. The program emphasizes “modernity” while showcasing “real life,” bringing love back to its authentic roots and providing a stronger sense of connection for viewers.

Zhao Jie, director of the Strategic Research Institute at the National Radio and Television Administration’s Broadcasting and Film Development Research Center, remarked on the show’s ability to delicately unveil the concealed romance within Chinese culture, subtly permeating viewers’ hearts. He also noted that the show’s themes respond timely to certain social issues, effectively acting as a “healing” visual experience.

Guan Ling, dean of the Broadcasting Research Institute at Communication University of China, expressed that the cultural exchange among the diverse guests this season represents a significant aspect of contemporary societal dynamics.

Kang Wei, editor-in-chief of “China Art News,” highlighted the show’s innovative details, noting its blend of variety and game elements, which creates a distinct “internet feeling.” The technical aspects—like detail capture and dynamic commentary—satisfy viewers’ expectations. He also emphasized the show’s healthy portrayal of women, respecting their bodies and emotions, and encouraging them to express love and make choices. This portrayal promotes a spirit of self-respect and provides positive guidance for the audience.

Liu Jun, a professor at Communication University of China, commented on the inclusion of guests from various countries and cities, showcasing diverse values, interests, and cultural nuances in the dating process, which reinforces the richness of multicultural intersections.

In its communication about love, the program encourages viewers to let go of their worries and engage sincerely and bravely in the pursuit of love. Yang Chenghu, deputy dean and professor at the School of Arts and Communication at Beijing Normal University, noted, “In the internet age, young people highly engage with emotional topics online, yet they participate less in real life, reflecting a hesitance and confusion in handling their emotions. We need programs that address their emotional attitudes, awareness, and participation to encourage a more positive approach to emotional realities.”